In-Depth Review of William Benham’s 1886 Edition of Thomas à Kempis’s Devotional Masterpiece
The Imitation of Christ, originally composed by Thomas à Kempis in the 15th century, is a seminal work in Christian devotional literature. The 1886 edition, published in London by J.C. Nimmo and carefully edited by William Benham, stands as a remarkable rendition of this classic. This edition, spanning 383 pages with added ornamental borders, not only retains the essence of Kempis’s teachings but also enhances the reader’s experience through its aesthetic presentation.
Benham’s work brings forth the four books of Kempis’s writings, which delve deeply into the themes of renouncing worldly vanities, embracing spiritual humility, and the importance of the inner life. The ornate borders and the 15 leaves of plates add a visual depth, making it a collector’s delight. The language, although reflective of its time, is accessible, and Benham’s editorial touches ensure that Kempis’s timeless messages of spiritual wisdom resonate with contemporary readers.
A unique feature of this edition is its historical and cultural significance, underscored by its inclusion in the University of California Libraries collection. The meticulous documentation, including the bookplate leaf, call number, and camera details, attests to its value as both a spiritual guide and a historical artifact.
In summary, William Benham’s 1886 edition of The Imitation of Christ is more than a reproduction; it is a respectful and beautifully presented homage to one of Christianity’s most enduring works. It serves as a bridge between the medieval and modern worlds, offering timeless wisdom to those on a spiritual journey.